This section explores how visual arts have engaged with the labor movement, social struggles, and the working class.
Hear no evil, see no evil, speak no evil, an El Teatro Campesino acto, 1965. Photograph: George Ballis. Collection held by UC Merced Library Special Collections.
Celebrate People's History! The Poster Book of Resistance and Revolution by Ed. Josh MacPhee, foreword by Rebecca SolnitThe best way to learn history is to visualise it! Since 1998, Josh MacPhee has commissioned and produced over 100 posters by over 80 artists that pay tribute to revolution, racial justice, women's rights, queer liberation, labour struggles and creative activism. These essential moments are presented as a visual tour through decades and across continents, from the perspective of some of the most interesting and socially engaged artists working today.
Call Number: eBook
Publication Date: 2010
Agitate! Educate! Organize! by Lincoln Cushing, Timothy W. DrescherIn Agitate! Educate! Organize!, Lincoln Cushing and Timothy W. Drescher share their vast knowledge about the rich graphic tradition of labor posters. Lavish full-color reproductions of more than 250 of the best posters that have emerged from the American labor movement ensure that readers will want to return again and again to this visually fascinating treasury of little-known images from the American past. For more information about this book, visit www.docspopuli.org/ArtWorks.html.
Food, Feminism, and Women's Art in 1970s Southern California by Emily Elizabeth GoodmanThis book explores how feminist artists continued to engage with kitchen culture and food practices in their work as women's art moved from the margins to the mainstream. In particular, this book examines the use of food in the art practices of six women artists and collectives working in Southern California--a hotbed of feminist art in the 1970s--in conjunction with the Women's Art Movement and broader feminist groups during the era of the Second Wave. Focused around particular articulations of food in culture, this book considers how feminist artists engage with issues of gender, labor, class, consumption, (re)production, domesticity, and sexuality in order to advocate for equality and social change. The book will be of interest to scholars working in art history, food studies, and gender and women's studies.
Call Number: [Request via ILL]
Publication Date: 2022
Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka by Harry Justin ElamThe performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's (LeRoi Jones's) Black Revolutionary Theater (BRT) during the 1960s and 1970s, offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture. The performances of these groups linked the political, the cultural, and the spiritual, while agitating against the dominant power structure and for the transformation of social and theatrical practices in the U.S. Founded during the Delano Grape Pickers' Strike and Black Power rebellions of the mid-1960s, both El Teatro and the BRT professed cultural pride and group unity as critical corollaries to self-determination and revolutionary social action.